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See more character art, sketches, and other author interests! Check out the free download of the month on Amazon for Kindle: Click Here to Visit Amazon.

See some of the chapter snippets and struggles often posted about the latest writing, upcoming character concepts, and just general who-ha on Wisdom Novels Wordpress.

A young boy must discover what he is and where he came from in order to unite the people of the land and stop a growing Darkness caused by the first black unicorn.

Meet a half-breed Black Wing seeking his captive mother in the human realms in order to escape his pure-blood family, an alchemist wielding a newfound power he hopes will make him the magic-user he has always wished to be, a Healer seeking to destroy the very foundation which lead to the division of his people, and two sister unicorns.

Originally started back in , Wisdom Novels was a mere concept of characters thrashing through an unknown land and trying to stop a growing Darkness.

Where this Darkness came from was a mystery. Following an art progress, the story started out using animal characters. Now, with myself being an illustrator, I was not satisfied with just using animals.

I knew I wanted more, and more came the longer I worked on the project. The first three books in the series. It follows the footsteps of a young man who must discover what he is in order to stop a growing Darkness caused by the first Black Unicorn.

Kindle version available for short stories. Most of which are fun and unrelated to the main storyline. Other genres may be explored besides Medieval Fantasy.

Companion art book that corresponds to the Wisdom Novels series, combining both digital and traditional pieces into a colorful arrangement of characters and the world they live in.

The second trilogy in the series that will unleash the true enemy behind the Darkness, and stir up an adventure that involves the great Elemental Masters themselves.

Currently, we have a Western Short available for download. Book One "Wisdom" is in the works to become the next audio book. The release date will not be until mid Discover semi-realistic art pieces created just for the series.

Take home some imagination! There have been lots of questions asking where the idea came from, or how long it took to come up with the concept.

Originally, there were two ideas that gradually merged into one. Some characters just come out while writing.

Then there are the conceptual characters, those formed in order to produce future novels. To me, they are the most exciting and challenging ones.

We need to move! Every now and then they would both wink at once. Wisdom, who was furthest from Katherine, pricked his ears at the faintest clop of hoofs hitting ground.

He cried out her name just as a dark shape began to materialize from the mist. Nostrils flared, and its lips pulled back to reveal a set of fangs It was around thirty-five pages in length with chapters.

I wrote it on one of those old computers with the large floppy disks. It just so happened to come with a simple writing program, very similar to "notepad", except each file was limited to so many words.

That where I wrote my first story. Who would have guessed my first story would have come out as Science-Fiction? It was titled "Time Keeper". I still have it to this day, along with the original watercolor artwork idea for the cover.

In , I started some research to add to the story so that the day I rewrote it, it would have a better storyline.

I now have the storyline. Just need to finish the writing. A Healer is a shape-shifter who takes on animal forms, depending on what element it has chosen.

While actual healing abilities are limited to certain elements, Healers are hands-down the masters of manipulating landscapes, are fairly social beings, and are as stubborn as quarreling children!

There are four basic elements: Fire, Air, Earth, and Water. These elements are what comprise the magic within Nature. And yet a Healer is born with no bond to Nature whatsoever.

It might be a disaster. I decided then and there that my family — myself, wife Mary Bell and our two sons, then 8 and 12, both film mad — had to become Pilgrims.

Mark may have been uncertain about whether he and Tilda could pull off this lunatic scheme, but I had no doubt whatsoever that it would be an once-in-a-lifetime experience for anyone who took the plunge and trusted in their vision.

And so it proved. We met amazing people who came from all over the world. We watched great films. We swam in lochs.

We got eaten by midges. About 50 people pulled the Screen Machine with ease though not me, because I had a bad back. For all his modesty, Mark has a clarity of conviction which makes remarkable things happen, and which delivers enormous rewards for anyone who tags along for the ride.

So being giving the chance to help him make his next film was an extraordinary gift. There are some horses or is it a dog, or a cat?

The local "Cine-Disco" involved about an hour of music where us kids were allowed up on the main stage to dance about to the music, chat with our mates, eat lots of sweets and learn what it was all about to speak to girls!

Then once the hour of music was over we all returned to the cinema seats and were treated to some cartoons, an old black and white mystery serial that would run on each week and then a main feature.

As I got older and into my teens, I was given my first video recorder an old Betamax and I would record virtually any film that was broadcast on TV.

This enabled me to watch the likes of films by Hawks, Hitchcock, Lang, Ford and discover foreign cinema at quite an early age.

I was hooked and wanted to learn more, so started reading many books on film too. Outside of my day job, my work in film has begin to develop over the past 10 years or so, to a point now where I am keen for this to be my main vocation.

I have my own archive of films and documentaries on cinema as well as having access to many private film collections around the world and some film archives too.

I help many film writers, critics, directors and film lecturers by tracking down titles they are looking for, for research and study purposes. Whilst at the festival we hung out a few times together, got talking about films generally and gradually got to know a bit more about each another.

I expressed that I was not very happy in my current job and Mark very kindly offered to help to see if he could find me something linked more with my strengths and knowledge of film.

Towards the end of November I received an email from Mark asking if I would be interested in being a researcher on a new film he was about to start making.

About a week later Mark and I met in Cambridge and spent a few hours discussing the film in more detail and what my role would entail. The next challenge, once I had seen a rough cut of the film towards the end of February, was to then start acquiring the best possible source materials of each of the 53 films that are used in the film.

Mark had a few of the titles in his personal collection and the rest I was able to obtain via other means. By the end there were only a couple of titles that proved difficult to obtain.

So it was with A Story of Children and Film. I realised early on in my thinking that, unlike my other films, it would not be about a journey, a road movie, it would be a series of themes.

So I scribbled each childhood theme — shy, secretive, performative, destructive, watching, leaving, adventurer, dreaming, grumpy, scared, loss, limited horizon, daring, class, adult, dog with a bone, alone — on the page, and drew a rough box around each.

Then, each time I watched a film, if it had a good scene about one of those themes, I wrote it down in the relevant box. I noted down the order in which I saw the themes — shyness came first, for example, and destructiveness came last.

This, by and large, became the order in which we edited the scenes in the film. When it came to the edit, we chose what I thought were the best examples.

The former allows me to jump between themes, notice connections, etc. The screening was presented by Cannes artistic director Thierry Fremaux.

Without condescension or cynicism, Cousins offers us his own humanist idealism, as refreshing as a glass of iced water. Throughout, the film is rich in [its cinematic] finds, works seldom seen or discussed but, in many cases, just as impressive as the famous examples he samples.

The movie is as self-indulgent as it is brilliant. Vivian Van Dijk writes: Film director Mark Cousins has made with this film a blueprint for many film generations to come.

This is a must-see for anybody who is attending this Cannes Film Festival. Whether you are a film student or a successful film director already or just a film lover, Mark Cousins knows how to point you to the key ingredients that make children shine in film and also make their roles and behavior in film transparent.

Read the review here. Here, he shares with Film4. Another typically thoughtful trawl through the history of film seems likely.

Full interview is now online here. Ross Miller, Thoughts on Film: For any cinephile it would be tough to watch this film and not feel a sense of joy…an intimate lyrical essay on the unique way cinema can showcase childhood.

Chris Buckle, The Skinny: Michael Clancy, The Artifice: It makes for an excellent companion piece to his early opus, The Story of Film: An Odyssey, making Cousins one of the most astute and thoughtful filmmakers working today.

Teddy Jamieson, Herald Scotland: Dial M For Movies: The Toronto International Film Festival has announced the line up of its edition.

More information on their website. Without pedantry, he speaks like a professor in love with his discipline, who wants the viewer to share his enthusiasm.

What a way to start a Telluride! A review from the Adelaide screening can be read here. The deal was brokered by Oli Harbottle, head of Distribution for Dogwoof, with Adam Dawtrey who has produced the film.

Read the story here. Here you can access some of them:. The lengthy interview which covers many different subjects on and around childhood is online here.

Film Fest Gent in Belgium. A review in Dutch here. Vancouver International Film Festival in Canada. Doku Arts in Berlin. Amanda Randall has reviewed the film for Take One.

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